Annie Leibovitz “Annie Leibovitz, At Work”, Phaidon (Winter 2018)
Hardback, 240 x 183 mm (9 1/2 x 7 1/4 in), 256 pp, 120 illustrations
ISBN: 9780714878294
Role - Worked one-on-one with Annie Leibovitz and Phaidon publisher: Art directed, produced, and color managed the entire re-print process.
Annie Leibovitz “Annie Leibovitz, Portraits 2005–2016”, Phaidon (2017)
Hardback, 359 x 267 mm (14 1/8 x 10 1/2 in), 316 pages, 150 illustrations
ISBN: 9780714875132
Role: Guided Annie Leibovitz and her team with post-production, color management, and printing. Collaborated closely with publisher Phaidon.
Featured Press Article, New York Times
Credits: @Pascal Dangin @BoxServices @Annie Leibovitz
Seydou Keita, Photographs, Bamako, Mali 1948–1963
400 pages, Book / Clothbound
27.5 x 35.5 cm
ISBN 978-3-86930-301-7
Edition 10/2011
Role: Color management, separation, files preparation
Credits: @Pascal Dangin @BoxServices
Guy Bourdin, Untouched, a new monograph reveals Bourdin's precocious vision.
First Edition 2017
256 pages, 9.6 × 11.8 in. / 24,5 × 30 cm
166 photographs, Four-colour process Hardcover with dust jacket
Printing: Steidl, Göttingen, Germany
ISBN 978-3-86930-934-7
Role: Design, Color management, separation, files preparation, printing
External Links:
Featured press article, Libération (French)
Featured press article, M Le Monde (French)
Featured press article, Creative Review (English)
Credits: @Pascal Dangin @BoxServices @Steidl
Felix Gonzalez-Torres “Felix Gonzalez-Torres” (Second Edition 2016),
Edited by Julie Ault, Designed by Pascal Dangin
Felix Gonzalez-Torres, one of the most influential artists of his generation, lived and worked resolutely according to his own democratic ideology, determined to “make this a better place for everyone.” Combining principles of conceptual art, minimalism, political activism and poetic beauty, Gonzalez-Torres’s ever-changing arsenal included public billboards, give-away piles of candy or posters, and ordinary objects (clocks, mirrors, light fixtures) often used to startling effect. His work challenged the notions of public and private space, originality, authorship and—most significantly—the authoritative structure in which he functioned.
412 pages, 285 images, Hardback / Clothbound, 21 x 27.3 cm
Steidl
ISBN 978-3-86930-921-7
Role: Layout, color management, production, pre-press
Credits: @Pascal Dangin @BoxServices @Julie Ault
Roni Horn Catalog published by Glenstone Foundation (2016-17)
Printed by Meridian
ISBN 978-3-7913-5660-0
Role: Prepress, color management, post production
External links:
Featured press article: The Washington Post (2017)
Credits: @Pascal Dangin @BoxServices
Philip-Lorca DiCorcia, “Hustler”
2013
160 pages, Hardback / Hardcover, 33 x 44 cm
ISBN 978-3-86930-617-9
Guy Bourdin “A Message For You” (Third Edition 2013),
320 pages, Hardback / Hardcover, 24.5 x 30 cm
ISBN 978-3-86930-551-6
3rd Edition 09/2016
1st Edition 02/2013
Roni Horn “Th rose prblm”, Steidl (2016)
60 pages, 48 images
Four-color process, Hardback / Clothbound, 28 x 30.5 cm
Steidl
ISBN 978-3-95829-271-0
"A drawing in the Th Rose Prblm cuts together two drawings. Each with one of two phrases. Composing these two phrases in their various iterations: “Rose is a rose is a rose” or “a rose is a rose is a rose” with “come up smelling like roses” or “coming up smelling like a rose”, etc. leads to all kinds of nonsense. But it also leads to another sense. I found a lot of humor here, some of it pretty dumb. Composing these phrases into all the possible outcomes became a metaphor for identity. There are 48 drawings and it’s one work. Cumulatively the shades of meaning obtain a complexity and range that stand in for the mutable, changeable nature of identity. I also found that the more I did the more there was." - Roni Horn
Role: Prepress, color management, post production
Credits: @Pascal Dangin @BoxServices @Roni Horn @Steidl
Roni Horn “Hack Wit” (2015)
104 pages, Four-color process, Hardback / Clothbound, 28 x 30.5 cm
Steidl
ISBN 978-3-86930-982-8
Hack Wit is a playful and complex body of work developed between 2013 and 2015, using clichés or proverbs and watercolor. For each work, the artist made two watercolors of a different proverb, cut them apart and then combined them into one. The Canadian poet Anne Carson wrote the text Hack Gloss in response to the “Hack Wit” drawings.
Role: Prepress, color management, post production
Credits: @Pascal Dangin @BoxServices @KIDScreative @Roni Horn @Steidl
Frances Ha “A Noah Baumbach Picture”, 2015
784 pages, Hardback / Clothbound, 29.3 x 23 cm
Steidl
ISBN 978-3-86930-731-2
Frances Ha is a modern comic fable that captures the trials and tribulations of a young woman trying to make it in New York City. Like an endearing comedy of errors, Frances throws herself headlong into her dreams, even as their possible reality diminishes. Directed by Noah Baumbach, the film is a beautiful homage to classic French cinema, but its character feels quintessentially New York.
Capturing the romantic spirit of the film in print, Frances Ha tells the story through moments. Edited down to one frame per scene, the book follows a strict structure laying out 688 stills. When assembled in sequence, the images recreate the story and achieve the same cinematic quality in print. Continuity is key to the structure, as the visual dialogue reveals moments full of expression and arresting honesty. On the printed page, the beautiful black-and-white stills appear timeless and pay homage to the oft forgotten art of cinematography.
Role: Color management, separation (Tri-tone), color management, files preparation
Credits: @Pascal Dangin @BoxServices @KIDScreative @Steidl
Mario Sorrenti, Draw Blood For Proof
Edition 05/2013
336 pages, Hardback 29.4 x 46.7 cm
Steidl
ISBN 978-3-86930-303-1
Credits: @Pascal Dangin @BoxServices @Mario Sorrenti @Steidl
Christopher Wool, Swamp
Published by Holzwarth Publications, Berlin, Germany (2019)
140 pages, 38 x 25.5 cm, Paperback
On first view, the photographic superimpositions in black and brown offer nothing to hold onto. Their unruly surfaces lead into the depth, into fragments of motifs: backyards, dumped car tires, huge cable drums, dead tree stumps, rusty bed frames, or the wall of a shack with strange objects leaning against it. If, on second view, the eye manages to separate the different layers of reality meshed here, in the end the decipherable photographic images collapse again into painterly textures.
Role: Color management, post production
Credits: @Christopher Wool
